Over the years we have discussed the selective and predictive programming in music, movies, television, etc., in regard to everything from UFOs to human trafficking and child abuse. The movie Independence Day, released July 3, 1996, seemed to predict the appearance of a city-sized UFO, which manifested in Phoenix as the infamous ‘Phoenix Lights’ on March 13, 1997. The movie Nope seemed to predict the shooting down of objects over Alaska, Canada, and Lake Huron, one of which had “strings hanging off” of it like in the movie UFO. Movies like Spotlight and the Sound of Freedom show us the underbelly of sexual abuse and trafficking. During the pandemic the top movies were Contagion, 28 Days Later, and 12 Monkeys. A 2022 Netflix film called White Noise, about a train carrying toxic chemicals derailing in a small Ohio town, was brought to life when on February 3, 2023, a train carrying toxic chemicals derailed in the same town, East Palestine, Ohio, which was used for filming the movie crash.

M. Night Shyamalan’s Knock at the Cabin did something similar with plane crashes and earthquakes. In fact, the movie was released on the day of the Ohio train wreck, February 3rd. The next day a FedEx cargo plane almost landed on a commercial Southwest flight. A week later an American Airlines flight ran into a bus on the taxiway. A few days later a report came out about a United Airlines flight that fell 1,400ft out of the sky after take off from Hawaii. Long after the movie was shot, but before release, two other planes almost collided at JFK and before that the NOTAM system went down grounding flights nationwide. In the middle of all this, three days after the movie release, a massive 7.8 earthquake rocked Turkey and opened up an enormous chasm in the earth. The movie ends with fire beginning to engulf the earth, a prelude to the upcoming movie Oppenheimer. These are themes also in the upcoming Dune 2 and Fallout tv adaption.

The new Wes Anderson movie Asteroid City is now setting the stage, literally, for an excepted flop and expected hit, i.e. the Barbie movie and Oppenheimer, both set to be released on July 21, 2023. Asteroid City is really a movie about a play, wherein the actors and audience move in-between sets, between what is real and what is staged. In Asteroid City there are quarantines, aliens, doorways between worlds, and in the background atomic bombs, disassociate from reality. In the Barbie movie promos the character stands within a mirror. The backdrops and sets are also similar, even in the pastel-like colors, to the Barbie movie, which is obviously about Barbie Land and how dolls with no human essence journey into the world of humans. In one scene there are two X’s stacked on top of each other, perhaps signifying the XX chromosomes of women, of which Barbie does not have. She is plastic, a doll, and not real. The point is that in a fake world the only thing that matters is the mask and outward appearance, and thus one can be a man or woman by choice. Also, in the Barbie movie there is supposedly a map showing China’s claimed territory of Vietnam which prompted that country to ban the movie.

How interesting is it then that Barbie is provoking fears of atomic war and its release date is on the same day as Oppenheimer, which is about the atomic bomb. A similar thing happened in Christopher Nolan's movie Dark Knight Rises, released July 20, 2012, when one of the strike zones in the city was listed on a map as Sandy Hook - like the shooting on December 14, 2012. Interestingly, July 20 was also the Aurora, Colorado, shooting which took place during a screening of Nolan's new Batman movie.

The release of these two movies on the same day contrasts the fake world of PINK with the real world of BLACK, themes that can be found all throughout pop-culture, from the Powerpuff Girls in the 1990s, which features black goo and three homunculi, one of which is pink, to recent hit songs like Pink Venom, from the band BLACKPINK, which features black apples, black goo, broken mirrors signifying split personalities, along religious and mythic imagery. One line is “the fire that’ll slowly put you to sleep.” A year prior to Pink Venom an article from Reuters out of Japan stated the following of Moderna shots: “Black substances were spotted in syringes and a vial, with pink substances found in another syringe, the health ministry said.”

The innocence and purity of pink mixed with mysterious chemicals, massive explosions, etc., create mutations that turn us into something not human – something barbaric or mutated by radiation. That’s what media and movies do, be it through coincidence, predictive programming, movie magic, or retro causality. The question is do you prefer the womblike matrix of Barbie or the real world of Oppenheimer that is about to be engulfed in flames? Will you take the high heel or Birkenstock, the blue pill or the red? Will you be human or turn over the codes to Zion for a steak and glass of wine?