We had the pleasure of interviewing Caskets over Zoom video!

There’s an art to looking back. For Caskets, it could have been easy to plough forwards regardless, riding the wave of success from their breakthrough debut ‘Lost Souls’ that opened tours up across the United States and mainland Europe, and secured appearances at landmark festivals Download and Slam Dunk. But having swapped the bedrooms that fostered album number one for countless hours on the road, reflecting on that journey and the decisions that led them down certain paths quickly became unavoidable. Now tackling the realities of a busy band schedule, spending the best part of two years in shared tour buses and hotel rooms, those reflections have become collective.

If ‘Lost Souls’ was primarily driven by vocalist Matt Flood’s personal experiences, sophomore album ‘Reflections’ delivers a wider picture of Caskets as a whole, borne out of the usual interpersonal differences that all bands face at least once in their career. For some it marks the end, but for others it fosters a collaborative environment that pushes the music well beyond what has come before.

The result reflects each individual member of Caskets, with Matt joined by guitarists Benji Wilson and Craig Robinson, bassist Chris Mcintosh, and drummer James Lazenby.

A series of individual lessons, each track on the Dan Weller (Holding Absence, Bury Tomorrow) produced ‘Reflections’ looks back at a specific moment in one of the band member’s lives; a thought, feeling or events, and how that moment shaped the present. It’s a step away from the singular retellings of ‘Lost Soul’, and a concept that emerged as Matt reassessed his position in and commitment to the band.

The subsequent reflections take very different shapes. The thunderous ‘Guiding Light’ tells of the struggle in finding personal strength in the face of a broken relationship; the haunting ‘Silhouettes’ lands on the immeasurable power of self-worth and how we should never change ourselves for others, while album closer ‘Better Way Out’ spawns from the process of saving a loved one from suicide. “You can be who you want to be,” the song rings out with a soaring orchestral catharsis that surpasses all of Casket’s contemporaries. The breadth and density of the subject matter is pulled together by the record’s concept, ultimately forming the beating heart of the record.

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