3. Sound artifacts and lively data

Mar 21, 2024 · 27m 43s
3. Sound artifacts and lively data
Description

Life Chronicles of Dorothea Ïesj S.P.U. investigates the link between data capitalism, technology, and value creation, reflecting on the use of archaeological artifacts, archives, and memory as instruments of power...

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Life Chronicles of Dorothea Ïesj S.P.U. investigates the link between data capitalism, technology, and value creation, reflecting on the use of archaeological artifacts, archives, and memory as instruments of power and control: what happens when everything, every surface and object can record us? When we are subject to a pervasive acoustic surveillance? 

Well, this is not exactly 100% science fiction. It is not something to worry about in the future. This is real. The datafication of our bodies is real and this datafication affects identity formation and as individuals come to perceive themselves and others through the lens of data.

To better understand how people and their digital data make each other, and to single out the relation between data, sound, recording and listening practices, we’ve spoken with sociologist Deborah Lupton, author of books such as The Quantified Self or Data Selves, and with Columbia University lecturer Audrey Amsellem, who’s been writing a great deal about sound and surveillance. 
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Author NERO editions
Organization Produzioni NERO
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